Contributors
Wednesday, December 23, 2009
Bau Movement Exhibit Card
Show opens at Studio Gallery 234 in York Pennsylvania on January 23 and runs through March 20, 2010.
Friday, December 18, 2009
Thursday, December 17, 2009
Individual Interpretations
Just a little boost to get the viewer to see what they will. Each viewer will imagine something different without even trying. When you read these words, your life experiences will automatically present you with a visual, like when reading a novel and visualizing characters, scenes etc... There will be several pieces making up one final piece.
Thursday, November 5, 2009
Saturday, October 24, 2009
Bau King Pin in the news
Urgent post from Oregon...Bau King Pin in the news!!!
(click here) Art moves outdoors at SOU
Here is a link to another article. Jon's sculpture is the 4th photo (of 5)
(click here)Ashland Daily Tidings
(click here) Art moves outdoors at SOU
Here is a link to another article. Jon's sculpture is the 4th photo (of 5)
(click here)Ashland Daily Tidings
Thursday, September 17, 2009
Thursday, July 23, 2009
Chels Leaning (Firenze ) - completed painting
Thursday, June 25, 2009
Chels Leaning (Firenze ) - in progress
Tuesday, June 2, 2009
Sunday, May 31, 2009
Wednesday, May 27, 2009
TAX This 2009
Saturday, May 23, 2009
2 Too Much (Jess Leaning)
Tuesday, May 19, 2009
New Work 2 (BAU Sculpture)
New Work 1
Saturday, May 16, 2009
Thursday, April 23, 2009
Monday, March 23, 2009
BAU Sculpture? What???
Fred and I have always liked spray paint and with my new found love for sculpture I find this a fitting exploration of the media.
I made a simple two-part rubber mold using a Montana Spray paint can and tip.
Had some issues with rims and edges but on a whole the experiment I feel is successful.
I love colour!(that's spelled right, dammit) I love the shape of the can. The colured cans are paraffin/wax mix. The colour comes from Crayola Crayons that are thinly sliced and added to wax mixture... than poured and allowed to cool and harden.
The other cans are plaster, hydrostone, and concrete. Same process but the hardening time for plaster and hydrostone is shorter. The concrete takes longer. It is a great process.
The piece is about juxtaposition. The solid elements of colourless strength toppled over in contrast to the colour-clumped beauty and delicacy of the wax is just wonderful feeling. The cans of solid material or over to fill the space and remind the viewer that solid isn't so strong. The colour and beauty is strength. It is not for me to decide how you look at it. Just my process.
The pedestals are part of the piece I wanted to pull the elements together and open up the piece to the room. I simply spray painted the coloured pedestal and dripped hydrostone/plaster/concrete down the other. I presented the piece off of the wall and in the middle of the gallery. I might try and enter this into some up coming juried art shows. Feedback from you big artists would be lovely. Enjoy, and thank-you.
So.. reigning from the Keystone State I have a memory of the day Budd Dwyer lost his marbles.
Nationally televised news conference with Mr. Dwyer, a .357 magnum, and a snow day.
Politics kill people. Taking money from the mob kills people. .357's kill people. It isn't everyday you see all of these things come together on television while eating breakfast.
This piece of art isn't for me to tell you about, although if you are not familiar with Budd Dwyer perhaps googling him will put this into more perspective.
It is a comment on what you remember.
I will never forget this.
It is my way to remember, regardless of what the audience knows, it is more about simply remembering to remember not to forget. Oh and my utter disliking for politics.
Enjoy.
Wednesday, March 18, 2009
Sunday, March 15, 2009
A couple Spanish stencils from Madrid and Barcelona
Monday, March 9, 2009
Chelsea Parkent
Pinups I
India Ink/Mixed Media
Pinups II
India Ink/Mixed Media
Medicine
India Ink/Acrylic Gesso
Maybe Yours I
Sharpie Magnum/Acrylic Gesso
Maybe Yours
India Ink/Acrylic Gesso/Sharpie Magnum
Strippr
Marker
Rippling Run Nightmare
Marker
Shot Glass Shelf
Charcoal
Laying Down
Marker
Jay Playing
Marker
6 In the Morning
Pencil
CHELSEA PARKENT
CEP173@PSU.EDU
717-858-8039
India Ink/Mixed Media
Pinups II
India Ink/Mixed Media
Medicine
India Ink/Acrylic Gesso
Maybe Yours I
Sharpie Magnum/Acrylic Gesso
Maybe Yours
India Ink/Acrylic Gesso/Sharpie Magnum
Strippr
Marker
Rippling Run Nightmare
Marker
Shot Glass Shelf
Charcoal
Laying Down
Marker
Jay Playing
Marker
6 In the Morning
Pencil
CHELSEA PARKENT
CEP173@PSU.EDU
717-858-8039
Tuesday, March 3, 2009
The Girls
too much (Jess Leaning), 2009
too much (Jess Leaning), 2009
Expecting, 2009
Portrait of a Bau Artist (CP), 2008
Monday, March 2, 2009
Tools of Trade
Here is one of Jon Owen's new sculptures,
Montana Spray Cans, each "can" is approx. 7.25" x 2.5" Feb. 2009
from Jon:
"The White one is plaster.. (1st one done) The gray/black speckled one is paraffin and wax mixture coloured by using crayons... you cut up crayons and Crayola brand is best.. they melt instantly.... the cheaper brand crayons do not tend to breakdown in wax/parraffin. The orange is mostly paraffin with a little wax as well.... that is made purely from the Crayola Brand crayons... the coloured casts are bunted on the bottom as well... I over poured the plaster cast..."
Chimps and politicos (too bad none of these fellows know how to ride a bike!)
Saturday, January 24, 2009
What is BAU Movement?
This is an attempt to explain, but in no way meant as a manifesto.
The "BAU Movement" started about three years ago as a lark. A former student asked if he could use a corner of the studio space at Penn State York. He graduated with a degree in English (but he wanted to major in art)
This guy was adding snippets of his poetry to his paintings. I painted a response to a blog of his (an "ablogogy") about pissing in someone's freezer at a party. From there, we just played around with this idea of textual paintings throughout late 2007 and into the summer of 2008, when another former student moved to S. Oregon and re-enrolled in art school. He had been working with paint and stencils too, and we kept egging each other on.
A third person has been making drawings and paintings that served to “illustrate” or reflect her poems for about two years now; she was a freshman when the first guy was “borrowing” studio space.
Anyway, there are folks in their 20’s, 30’s, and 40’s with some common interests: dealing with personal stuff in their art (business as usual eh?), working with text (written or stenciled), and trying to maintain a sense of craftsmanship (the work aspect). We are working on an exhibit in August and I will keep you posted.
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